As the title Split Animal Sculpture suggests, this piece manages to sound simultaneously biotic and fabricated. An impressionistic rendering of church bells and organ drone is suggestive of a large man-made structure, while in-between can be heard the flutters and whistles of something animated navigating it’s way through the reverberating buzz. This circling and spatial piece illustrates St. Werner’s intelligent approach to creating sound that has both weight and aerodynamic energy. This record also exists as asound installation for a single listener using headphones and one speaker.