As the title Split Animal Sculpture suggests, this piece manages to sound simultaneously biotic and fabricated. An impressionistic rendering of church bells and organ drone is suggestive of a large man-made structure, while in-between can be heard the flutters and whistles of something animated navigating it’s way through the reverberating buzz. This circling and spatial […]
Second release of the “Fiepblatter Catalogue” series on Thrill Jockey 2013
BLACK MANUAL – Brigade Commerz, CD, 2013 On “Mordendo” the dynamics of speaker compositions intertwine with concrete Afro-Brazilian sound patterns, with special “toques”, drum beat sequences also found in Samba and Candomblé… Sounds rear up, diffuse, and rhythms dissolve into tones thereby creating a “total music”. “Black Manual” was formed in 2012 after Jan St. […]
A2 silk screen print of fiepblatter catalogue #2 artwork by Jan St. Werner & Rupert Smyth. Limited edition of 20, signed by Jan St. Werner.
Collage of paper works, records, objects & vinyl print for the window of Kunstverein Munich KUNSTVEREIN MUENCHEN / Das Asymmetrische Studio
first release of the “Fiepblatter Catalogue” series on Thrill Jockey 2013 Jan St. Werner – Feed Opener
Four audiovisual compositions, Kunstverein Munich, March 18th – June 18th, 2013 KUNSTVEREIN MUENCHEN
Series of performances, concerts, lectures and talks curated by Jan St. Werner at Kunstverein Munich in collaboration with Bayerischer Rundfunk “Hoerspiel & Medienkunst” DAS ASYMMETRISCHE STUDIO 1 Black Manual concert stream DAS ASYMMETRISCHE STUDIO 1 Black Manual concert video DAS ASYMMETRISCHE STUDIO 2 Helmut Lachenmann / Jan St. Werner DJ session & talk DAS ASYMMETRISCHE […]
Wichtel & die Wuchteln: “falscher Auerhahn” 12″ picture disc, no label Ingrid Wiener, Oswald Wiener, Rosa Barba, Klaus Sander & Jan St. Werner. Edit of a live performance at Villa Romana, Florence, 2011. Curated by Angelika Stepken. “Sound & noise collages played live with additional singing, percussion and subtle instrumentation. Somewhere between early Franco Battiato, […]
Radio composition for WDR Studio Akustische Kunst. “36 Sekunden dauerte der Satz, in dem Karlheinz Stockhausen während eines Vortrags in den frühen 1970er-Jahren die heute gängige kompositorische Praxis des Time Stretchings voraussah: „Wenn wir einen beliebigen Klang nehmen und ihn ausbreiten, also entlang der Zeitachse ausdehnen, bis zu einer Dauer von 20 Minuten, einen Klang, […]
may 6th 2012 bunker eliason/rehberger video
exhibition A P R I L 2 6 — M A Y 6 Wednesday – Sunday, 5 – 9 pm Virchowstraße 6 10249 Berlin WORKS BY AEAEAEAE, Rune Bosse, Julius von Bismarck, Julian Charrière, Merlin Carter, Andreas Dzialocha, Leon Eixenberger, Olafur Eliasson and TR, Eric Ellingsen, Tomas Espinosa, Maresa Fiege, Fabian Gisler, Andreas Greiner, Felix Meyer, Rodrigo Maltez Novaes, Markus Hoffmann, Jeremias […]
First instalement of a new audiovisual series by Jan St. Werner with assistance of Karl Kliem on the occasion of Oswald Wiener’s symposium “Innenschau/Zusammenschau”, Sept. 16th/17th 2011, Kunsthaus Muerz, Austria.
“The sources for “Formationen” are early solo recordings produced with synthesizers and tapes in 1992 and 1993, during Werner’s collaborations with F.X.Randomiz and his first experiments with Andi Toma that should be released later under the alias Mouse on Mars. Werner found those early tapes a while ago, re-mastered and carefully re-worked them, and the […]
